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John Sack/Inside the Bunker
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A 3 page essay that summarizes and records the writer's reactions to John Sack's essay "Inside the Bunker." In this essay, Sack discusses the philosophy of people who deny that the Holocaust happened. The writer argues that Sack's principal thesis is that hate begets hate and that it is only through abdicating hate that people can move forward and prevent more events similar to the Holocaust. No additional sources cited.
Filename: khsack.rtf

Kershaw's View on the Use of the Wehrmacht
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This 3 page paper looks at how Hitler used the Wehrmacht for his own reasons. Hitler's motives as explored by Kershaw are duly noted. The Holocaust is also discussed in general terms. Bibliography lists 2 sources.
Filename: SA344Ker.rtf

Killers or automatons? /Browning & Marcuse
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A 7 page summation and analysis that contrasts and compares Herbert Marcuse's One-Dimensional Man and Christopher Brown's Ordinary Man. The writer argues that in their efforts to examine how people can be conditioned to accept the unacceptable, these authors have similar themes. No additional sources cited.
Filename: khbr&ma.wps

Kristallnacht / Turning Point In The Holocaust
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A 9 page paper discussing Kristallnacht, the events that led up to it and why it was such an important turning point in the Holocaust. Bibliography lists 5 sources.
Filename: Kristal.wps

Lawrence Langer/ "Holocaust Testimonies"
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A 5 page review of Lawrence Langer's Holocaust Testimonies. In this book, Langer utilizes oral narratives from Holocaust survivors to examine the process of memory in relation to self. No additional sources cited.
Filename: khlanhol.wps

Leni Riefenstahl's "Triumph Of The Will": Documentaries And Objectivity
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8 pages in length. Documentaries are often assumed to be objective renderings of reality, yet they invariably offer a specific point of view. This point is clearly illustrated in Leni Riefenstahl's film Triumph of the Will, one of the most morally and legally controversial documentaries ever made. Chronicling the 1934 session of Nazi Party Congress, Triumph of the Will has long been interpreted as propaganda for Hitler's reign, which caused it to be banned for more than three decades. Riefenstahl, who was commissioned by Hitler to cover the events, captured such power and intimidation that her film was feared by all who experienced it, inasmuch as it presented myriad issues that could not easily be dismissed. For example, was Triumph of the Will truly Nazi propaganda or rather a propaganda film given life by a non-Nazi woman? Indeed, the line was thin with regard to the underlying objective, an element that more than angered hierarchical Nazi propagandists. No additional sources cited.
Filename: TLCdocum.wps

Lessons from the Holocaust
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One writer's emotional reaction -- reflecting upon the content of a course entitled "Literature of the Holocaust" and discussing in great detail what various works meant in terms of their contributive value. The writer realizes that the Holocaust must never be forgotten nor underplayed in the pages of history. Mentioned are the writings of Primo Levi, Elie Wiesel, and even a few guest speakers who had survived the Holocaust. No Bibliography.
Filename: Holotest.wps

Levi & De Bernieres/On War
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A 5 page essay that address two novels. The writer argues that Primo Levi in his novel If Not Now, When? And Louis de Bernieres with his novel Cordelli's Mandolin present two narratives in which the protagonists are engaged in warfare, but are basically opposed to war. In exploring how these two men reconcile their beliefs with their activities, as well as how they maintain their connection to life, these authors each makes a profound statement concerning how humanity can exist within the framework of war. No additional sources cited.
Filename: khlebe.wps

Mass Society Theory: How much does it affect us?
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This 5 page paper discusses the way mass society mentality affects our society as a whole. We are familiar with the effect it had on the Nazi foothold years ago but is it also seeping into modern cultures? A new system is suggested and outlined. Bibliography lists four sources.
Filename: CWMassMe.rtf

Maus & Schinder's List
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A 5 page essay that contrasts and compares Art Spiegelman's Maus (volumes I and II) and Steven Spielberg's film Schindler's List, which are both visually representations of the Holocaust. In both cases, the creators of these works employ the specific properties of their medium to better convey their personal vision of the meaning and reality of the horrors of genocide. Spiegelman's visual form is the graphic novel (the generic term of "comic book" seems hardly applicable). He employs text (often in the form of "bubbles" that show what characters think of say), but in addition to images, dialogue boxes and commentary, there are also maps of Poland and the camps, diagrams of hideouts, and real photographs from Spiegelman's family album. Spielberg, of course, employs cinematic tools, using sight, color, sound, music and visual effects to convey his personal sense of the tragedy. No additional sources cited.
Filename: khmaus.rtf