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Yes!! We DO Have Essays On Your Topic!!

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Chita Rivera:
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This 3 page paper explores the amazing contributions of Chita Rivera on musical theater. Rivera was a huge influence in the 1960's, and this paper delves into her many accomplishments. Bibliography lists 2 sources.
Filename: GSChitaR.rtf

Chopin & Debussy
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A 5 page research paper that compares and contrasts the Romantic era with the Impressionist, but focuses primarily on contrasting Chopin with Debussy. The Romantic and Impressionist eras in music history are quite different in their repertoires. However, an examination of the music of Impressionism, and specifically, a comparison between the piano styles of Chopin and Debussy, illustrates the connections between the Romantics and the Impressionists and shows that there were features of Romanticism that the Impressionists adopted and then emphasized rather than abandoned. Bibliography lists 5 sources.
Filename: khchodeb.rtf

Chopin's Prelude Op. 28 No. 4 / A Comparison of the Original and Subsequent Editions
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An 10 page comparative analysis on Chopin's Prelude Op. 28 No. 4 on editions of the piece by arranger/artists Autograf, Paderewski, Augener, Allans, and Henle. The paper analyzes this piece in conjunction with phrasing, pedal and dynamic markings, tempo indicators, and several of the notes themselves. This paper also has a short discussion on critics of the time, today's critics, and a comparison of two audio discs. Bibliography lists 8 sources .
Filename: Chopinpr.wps

Chopin, Pianist & Teacher
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A 5 page research paper that focuses on the career of Frederic Chopin (1810-1849), who was one of the romantic era’s most original composers, as his musical idiom was unlike any other (Machlis 84). Furthermore, he was the only major composer of this era whose genius was completely centered on the piano, as Chopin’s “imagination was wedded to the keyboard” and he created his “universe within that narrow frame” (Machlis 84). This examination of Chopin as a pianist and as a teacher demonstrates the extraordinary influence that his life and career had on subsequent generations of composers, but particularly within the realm of the piano. Bibliography lists 5 sources.
Filename: khchopt.rtf

Chutney Music
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This 5 page paper examines the Chutney music that is popular in Trinidad and Tobago. Local customs in respect to this music are noted. The popularity of the genre is discussed. Bibliography lists 4 sources.
Filename: SA218cht.rtf

Clara Wieck Schumann
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6 pages in length. The author offers a detailed biography of the music virtuoso, her influential friends and the tragedies that struck again and again throughout her life. Bibliography lists 4 sources.
Filename: TLCClaraS.rtf

Classical v. Romantic/Musical History
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An 8 page research paper that examines the differences between the Classical era in music history (i.e. Haydn, Beethoven, etc.) and the Romantic era (i.e. Schumann, Brahms, etc.). Bibliography lists 4 sources.
Filename: khmushis.rtf

Coleman Hawkins & Lester Young/Jazz Virtuosos
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A 4 page research paper that discusses the distinctly different music styles of jazz greats Coleman Hawkins and Lester Young, the men who are primarily responsible for the tenor sax becoming a leading instrument in jazz. Bibliography lists 2 sources.
Filename: khtensax.rtf

Comparative Analysis of John Keats’ Poem ‘Ode to a Nightingale’ and Bob Dylan’s Song ‘Mr. Tambourine Man’
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In three pages this paper compares Keats’ nineteenth century poem with Dylan’s twentieth century song. Four sources are cited in the bibliography.
Filename: TGtamnight.rtf

Comparing 3 paintings & painting/music
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A 6 page essay that discusses three paintings and Beethoven’s Fifth Symphony. “The Abduction of the Sabine Women” by Nicolas Poussin (1634), “The Death of General Wolfe” by Benjamin West (1770), and “The Raft of the Medusa” by Theodore Gericault” (1818) are each representative of a specific period in art history. Comparing the three works illustrates the way in which the Romantic era reconnected with the emotionality and vibrancy of the Baroque. However, it should be noted that Neoclassical works were not without emotion, as Beethoven’s striking Fifth Symphony exemplifies, rather it indicates that comparison between the periods illustrates that in the Neoclassical era, emotion was controlled within the confines of rationality. A bibliography is not offered.
Filename: kh3ptb5.rtf