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Disguises and Role Playing in Shakespeare’s “Twelfth Night”
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A 7 page paper which examines the thematic element of disguises and role playing in Shakespeare’s play “Twelfth Night.” Bibliography lists 3 additional sources.
Filename: RA12role.rtf

Epiphany in “A Christmas Carol” and “Twelfth Night”
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A 5 page paper which examines instances of epiphanies within Charles Dickens’ “A Christmas Carol” and Shakespeare’s “Twelfth Night.” No additional sources cited.
Filename: RAepiph.rtf

Feste the Fool in Shakespeare’s “Twelfth Night”
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A 5 page paper looking at this pivotal character in Shakespeare’s dark and complex comedy. The paper asserts that Feste is the wisest person in the play, for only he has the objectivity to see all the characters in their most foolish guises, and the ability to tell them about it. Bibliography lists 4 sources (attached).
Filename: KBFeste.wps

Homosexuality and Friendships in William Shakespeare’s Twelfth Night
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In four pages this paper discusses the relationships in Shakespeare’s comedy as a way of determining whether or not a homosexual component exists. Four sources are cited in the bibliography.
Filename: TGtnhomo.rtf

Malvolio and Misrule in Shakespeare’s “Twelfth Night”
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A 5 page paper analyzing the enigmatic figure of Malvolio in this Shakespearean play. The paper argues that Malvolio represents the figure of the Lord of Misrule in a traditional Twelfth Night celebration, and for this reason his humiliation is not to be taken seriously. Bibliography lists two sources.
Filename: KBmalvol.wps

Malvolio in William Shakespeare’s “Twelfth Night”
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A 5 page paper which examines the character’s dramatic function in Shakespeare’s play. Bibliography lists 5 sources.
Filename: TGmalvol.rtf

Much Ado About Nothing, Twelfth Night/On Film
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A 7 page research paper/essay that discusses 2 film adaptations. While there are numerous film adaptations of Shakespeare’s tragedies, the Bard’s comedies have proven to be notoriously difficult to translate successfully to the screen (Crowl 69). However, Kenneth Branagh’s Much Ado About Nothing (1993) and Trevor Nunn’s Twelfth Night (1996) successfully overcome the challenges inherent in a film adaptation of a Shakespearean comedy, as both films were artistically and commercially successful. First of all, these films overcome the problems of translating the plays from the restrictive confines of the stage to the visual options available in film. They also combine aspects of Hollywood storytelling and cinematic technique that are familiar to modern audiences with Shakespeare text and, thereby, imbue the classic plays with fresh energy and postmodern aesthetic. Bibliography lists 2 sources.
Filename: khmaantn.rtf

Mythology in Shakespeare
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This 5 page paper considers how mythology was used by Shakespeare in three of his plays in order to create atmosphere. The plays considered are A Midsummer Night's Dream, Twelfth Night and The Taming of the Shrew. The bibliography cites 6 sources.
Filename: TEmythol.wps

Questions on Twelfth Night
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A 5 page research paper that answer five questions pertaining to Shakespeare's Twelfth Night. The questions pertain to the character of Feste; how Malvolio & Sir Andrew are treated by Sir Toby; laughing "at" as opposed to "with" characters; the various plots and subplots; and the title of the play. No additional sources cited.
Filename: khqu12n.rtf

Romantic Love in William Shakespeare's "Twelfth Night"
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A 2.5 page paper which examines whether or not romantic love is based on physical attraction or the existence of love at first sight by examining the various loves in the text, determining which love affair is the most authentic and why. No additional sources are used.
Filename: TGtnlove.rtf